Antonia Wright, I Scream, Therefore I Exist, 2011, HD video, 4 minutes and 2 seconds
Bio

Antonia Wright is a Cuban-American artist born in Miami, Florida. Wright received an MFA in Poetry from The New School in New York City in 2005 and trained at the International Center of Photography for photo and video in 2008. Through a multimedia practice of video, performance, photography, sound, light, and sculpture, Wright responds to extremes of emotion, control, and violence in relation to systems of power. The body is a principal element in her work.

She has exhibited in the U.S. and abroad and has been awarded artist’s residencies nationally and internationally. Exhibitions include shows at The Hirschhorn Museum and Sculpture Garden (Washington, D.C.), The Pérez Art Museum Miami (Miami), The Faena Hotel (Miami Beach), The Faena Arts Center (Buenos Aires, Argentina), The Margulies Collection at the Warehouse, Lowe Art Museum, Vizcaya Museum and Gardens, Spinello Projects (Miami, FL), Luis de Jesus Gallery (Los Angeles, CA), San Francisco Arts Commission Galleries (SF, CA), Aeroplastics (Brussels, Belgium), The National Gallery of Art (Nassau, Bahamas), OR Gallery (Vancouver, Canada), GOOD TO KNOW.FYI, Galerie Ernst Hilger (Vienna), The Frist Art Museum (Nashville), Contemporary Art Center (New Orleans, Louisiana), Scottsdale Museum of Contemporary Art (Arizona), The Havana Biennial 2019, and Getty’s Pacific Standard Time: LA/LA (2017) among
others.

Wright recently won the 2023 Corral & Cathers Artist Award, the 2023 School of Visual Arts (SVA) Alumni Scholarship Award, No Vacancy 2022 Juror’s Choice Award, The Ellies Creator Award (2022, 2020), the South Florida Cultural Consortium Award (2019-2020), CINTAS Foundation finalist awarded to artists with Cuban heritage (2019, 2021). Residencies include The Pittsburgh Glass Center, PA, (2022); Pioneer Works, Brooklyn, NY (2015); Leipzig International Art Program, Germany, and Oolite Arts, Miami, FL. In April 2012, she became and founded the first artist-in-residence at the Lotus House Shelter for women and children in Overtown, Miami.

She is represented by Spinello Projects in Miami, FL, and affiliated with Luis De Jesus Gallery Los Angeles, CA.

Wright’s work has been featured in publications such as The New York Times, Artforum, Art in America, Hyperallergic, i-D, New York Magazine, Gotham, Daily News, Miami Herald, El Nuevo Herald, and The Art Newspaper.

CV

ANTONIA WRIGHT

CV

EDUCATION

International Center of Photography (ICP), New York, NY, 2008.

The New School, New York, NY, 2005.

Masters in Fine Arts, Creative Writing, Poetry. Thesis: Poetry and Performance Art

University of Montana, Missoula, MT, 2002.

Bachelor of Arts, English. Emphasis Creative Writing and Literature

SOLO EXHIBITIONS

2024   

What goes up must come down, Lowe Art Museum, Miami

2023   

Patria y Vida, commissioned by No Vacancy, at the Faena Hotel, Miami Beach, FL

I came to see the damage that was done and the treasures that prevail, Spinello Projects, Miami

2022   

And so with ends comes beginnings, UNTITLED, Art Fair, special project, Miami Beach, FL

Not Yet Paved, Pérez Art Museum Miami, Miami, Florida

Opposition Camp, Art Kiosk, San Francisco, CA

YES/NO, Illuminate Coral Gables, FL

2020   

South Florida Cultural Consortium winners’ exhibition, NSU Art Museum Ft. Lauderdale, FL

MAP, DACRA special project curated by Claire Breukel, Design District, Miami, FL

It is Not Down On Any Map, Spinello Projects, Miami, FL

2019   

It is Not Down On Any Map; True Places Never Are, Monuments at UNTITLED, ART Fair, Miami Beach

2018   

America Stands Behind Us, public artwork commission by Fringe Projects, Government Center, Miami

Double Dutch #7: Hot Water, National Gallery of Art (NAGB), Nassau, Bahamas

If I had to Perish Twice, SPRING/BREAK Art Show, New York, NY

2017   

CONTROL, Spinello Projects, Miami, FL

Under the Water Was Sand, Then Rocks, Miles of Rocks, Then Fire, Luis de Jesus Gallery, Los Angeles, CA

2016   

Under the Water Was Sand, Then Rocks, Miles of Rocks, Then Fire, Locust Projects, Miami, FL

2015   

Video: Poems, The Screening Room, Miami, FL

Florida Prize in Contemporary Art, Orlando Museum of Art, FL

2014   

Suddenly We Jumped, Luis de Jesus Gallery, Los Angeles, CA

You Make Me Sick: I Love You, Spinello Projects, Miami, FL

Be, Luis De Jesus Los Angeles, CA

Copyright Infringement, Elsewhere Museum, Greensboro, NC

2012   

Trading Places II, MOCA, N. Miami, FL

Love on an Escalator, Art and Culture Center, Hollywood, FL

2011   

Where All of Your Dreams Come True, Mosquera Collection, Miami, FL

Are You OK?, Spinello Projects, Miami, FL

2010   

A Great Disorder is An Order, 777 Gallery, Miami, FL

2009   

At The Ventanita, Salon Adelphi VI, Brooklyn, NY

SELECTED GROUP EXHIBITIONS

2024   

Environmental Futures III, curated by Aldeide Delgado, Art and Culture Center, Hollywood FL

You Are Here-, Dimensions Variable, Miami, FL

2023   

Making Miami, special project for Miami Art Week, Miami Design District (DACRA)

Biscayne, curated by Kate Flemming, The Kampong, Coconut Grove

Sinking Feeling, curated by Heather Diack, Or Gallery, Vancouver, Canada

Rinse and Repeat, The Girls’ Club Collection, Girls’ Club by the River, Ft. Lauderdale, FL

2022   

Animation Generation, film and videos from the NSU Art Museum Collection, Ft. Lauderdale, FL

You Know Who You Are: Recent Acquisitions of Cuban Art from the Jorge M Pérez Collection, El Espacio 23,  Miami, FL

GOOD TO KNOW.FYI presents BETA FISH at Beaches, Miami Beach, FL

2022   

Are You OK?, Galerie Ernst Hilger, Vienna

And so with ends comes beginnings, Luis De Jesus Los Angeles, CA

 #fail, Contemporary Art Center, New Orleans, LA

On the Horizon: Contemporary Cuban Art, Frist Art Museum, Nashville, TN

2021   

Where there is power, curated by Rene Morales, Oolite Arts, Miami Beach, FL

Natural Transcendence, curated by Rhonda Mirtrani, Oolite Arts, Miami Beach, FL

Artists + Identity: Portraiture, Performance, Doppelgangers and Disguise, Art and Culture Center,  FL

2020   

Infinite Seed, curated by GOOD TO KNOW.FYI + Jess Hodin Levy, Bhumi Farms, NY

Grounded, Spinello Projects, Miami, FL

2019   

Counter-Landscapes: Performative Actions from 1970s – now, Scottsdale Museum of Contemporary Art, AZ

Faena Festival: The Last Supper, LED Billboard Boat, 34th and Miami Beach

GOOD TO KNOW presents WE BUY GOLD, Mana Contemporary, Miami, FL

The Havana Biennial 2019, Detrás del Muro, curated by Juan Delgado and Luis Enrique Padrón Pérez

Cantos Comunes, Blockhouse, Havana, Cuba curated by Diaz Lewis

IKT Miami, ARTiculating Sustainability, Pérez Art Museum (PAMM), Miami

Relational Undercurrents: Contemporary Art of the Caribbean Archipelago, Portland Museum of Art

I Scream, Therefore I Exist screened at 10 Times Square Billboard (10TS) NY, NY

2018   

Free, Art Fair curated by Anthony Spinello, Brickell City Center, Miami, FL

Relational Undercurrents: Contemporary Art of the Caribbean Archipelago, Frost Art Museum, Miami, FL

On Archipelagos and Other Imaginaries–, Creative Time Summit, Miami

La NO Comunidad, CentroCentro, Curated by Blanca de la Torre and Ricardo Ramón Jarne, Madrid, Spain

10,000 Fahrenheit, San Francisco Arts Commission Galleries (SFAC Galleries), SF, CA

Women Who Stand on the Sun, Lotus Village, permanent installation at the homeless shelter facility, Miami, FL

2017   

Relational Undercurrents: Contemporary Art of the Caribbean Archipelago, Pacific Standard Time, Museum of Latin American Art (MOLAA), Long Beach, CA

Count/Recount: Feminist Film and Video, Hirshhorn Museum and Sculpture Garden, Washington, D.C.

On The Horizon: Contemporary Cuban Art from the Jorge M. Pérez Art Collection, Pérez Art Museum Miami PAMM), Miami, FL, organized by Tobias Ostrander

Body Language: Figuration in Modern and Contemporary Art, Tucson Museum of Contemporary Art, AZ

The Future Isn’t What It Used To Be, Utah Museum of Contemporary Art, Salt Lake City, UT

2016   

Energy Charge: Connecting to Ana Mendieta, Arizona State University Art Museum, Tempe, AZ

La suspensión del deseo, Centro de Desarrollo de las Artes Visuales, Havana, Cuba

Youniverse, Apexart, New York, NY

Working Worlds, LIA, Leipzig, Germany, Curated by Anna-Louise Rolland

2015   

Ping Pong, Projektraum M54, Basel, Switzerland

Auto Body, Faena Art Center, Buenos Aires, Argentina

Projector Unicorn, Pioneer Works, Brooklyn, NY

2014   

Auto Body, Spinello Projects, Miami, FL

The Remarkable Lightness of Being, Aeroplastics, Brussels, Belgium

Ping Pong, Projektraum M54, Basel, Switzerland

Between You and Me, Vanity Projects, New York, NY, curated by Grela Orihuela

Plastic(o) Fantastic(o), Central Bank of the Bahamas, Nassau, Bahamas

2013   

Suddenly We Jumped, Vizcaya Museum and Gardens, Miami, FL.

Deep Water Horizon, Site95, Hillyer Art Space, Washington, D.C.

2012   

Inside the Moment, Crane Art Space, Philadelphia, PA

Perfect Lovers, White Box Gallery, New York, NY

New Exhibition, The Margulies Collection at the Warehouse, Miami, FL

2011   

MOCA Optic Nerve XIII Finalists, The De la Cruz Collection and MOCA, N. Miami, FL

The Martin Hadley Fisher Collection: Syntax, Tampa Museum of Art, FL

Obstacle, The Invisible Dog, Brooklyn, NY, curated by William and Steven Ladd

2010   

Littlest Sister Art Fair, Spinello Projects, Miami FL

Base Paint, shelters painted by international artists for children in Haiti, Cite Soleil, Haiti, L’Athletique d’Haiti

Heart Happening, The Margulies Collection at the Warehouse, Miami, FL

I’m Starting to Realize Sleep is a Metaphor for Everything, Sleepless Nights Art Festival, Miami Beach, FL

Hope Blossoms, The Margulies Collection at the Warehouse, Miami, FL

The Nature of Things, The Cisneros Foundation, Miami, FL

2008   

The Art Under the Bridge Festival, D.U.M.B.O. Art Center, Brooklyn, NY

You Make Me Sick, Envoy Gallery, New York, NY

Slideluck Potshow XII, McCarren Park Pool, Brooklyn, NY

Reflect, International Center of Photography Gallery, New York, NY

AWARDS

2024

School of Visual Arts (SVA) Alumni Scholarship Award

2023   

Corral & Cathers Artist Award Grantee, Coral Gables Community Foundation

Miami Individual Artists (MIA) Award, Miami-Dade County Department of Cultural Affairs

2022  

Antonia Wright and Ruben Millares were the winners of the No Vacancy Juror’s Choice Award for their public artwork installed on the beach outside the Faena Hotel during Art Basel/Miami Art Week 2022.

Winner, The Ellies Creator Award, Oolite Arts

Miami Individual Artist (MIA) Award, Miami-Dade County Department of Cultural Affairs

2021   

CINTAS Foundation Fellowship finalist awarded to artists of Cuban heritage

2020   

Winner, The Ellies Creator Award, Oolite Arts

Winner, 2020 South Florida Cultural Consortium Grant

2019   

CINTAS Foundation Fellowship finalist awarded to artists of Cuban heritage

Oolite Arts Direct Support For Artists Grant

2013-2018 

Art Basel Miami Beach Artist Studio visits, Miami FL

2018   

Wavemaker Grant Recipient Award

2017   

Best Artist of 2017, The Miami New Times

Winner, Village Voice Media, MasterMind Genius Grant

2016   

Ernst & Young Artist Award, Grant, Leipzig, Germany

2015   

Dialogues in Cuban Art, Grant, Havana, Cuba, Miami, FL

Finalist, Florida Prize in Contemporary Art, Orlando Museum of Art, FL

2012   

MOCA Optic Nerve XIII Finalist, MOCA, N. Miami, FL

COMMISSIONS

2023    What goes up must come down, Lowe Art Museum, Miami

2022    Patria y Vida, commissioned by No Vacancy, at the Faena Hotel, Miami Beach, FL

2021    MAP, #fail, Contemporary Art Center, New Orleans, LA

2021    Opposition Camp, Art Kiosk, San Francisco, CA

2021    YES/NO, Illuminate Coral Gables, FL

2020    MAP, DACRA site-specific project curated by Claire Breukel, Design District, Miami, FL

2016    Locust Projects Open Call for Artist’s Exhibition Proposals

2014    Vizcaya Museum and Gardens Contemporary Art Commission

RESIDENCIES

2022     The Pittsburgh Glass Center

2018-2013    Plastic(o) Fantastic(o), New Providence, Bahamas, International artist collective and residency in which Wright is a founding member.

2016    Leipzig International Art Program, Leipzig, Germany

2015    Pioneer Works, Brooklyn, NY

2014    Performing Arts Forum (PAF), St. Erme, France

2012    Elsewhere, Greensboro, NC

2010    ArtCenter South Florida, Residency, Miami Beach, FL

SELECTED BIBLIOGRAPHY

Treaster, Joseph. “Miami’s Rise as an Art Hub Draws Artists and Offers Inspiration”, The New York Times, December 2023.

Rabb, Maxwell. “How Miami Became an Artworld Capital,” Artsy, December 2023.

Drake, Carolina. “Five shows to See in Miami During Art Basel Miami Beach”, ARTnews, December 2024.

The Editors, “11 Artists Leading the Countries Cultural Conversation Right Now”, Gotham Magazine, November 2022.

Miami Beach Arts and Culture, Winner of Juror’s Choice Award: Antonia Wright & Ruben Millares, Patria y Vida.

Portal, Pedro. Take a look at the ‘Patria y Vida’ installation by Antonia Wright and Rubén Millares at Faena, The Miami

Herald, December 1, 2022

In Pictures: See the Fun Public Art Adorning Miami Beach’s Top Hotels—and Vote on Which One Takes a $10,000

Prize, Artnet, News, November 30, 2022

Turner, Elisa. “At Spinello Projects, Antonia Wright Pushes Back Against Abortion Ban”, October, 2022

Antonia Wright’s Miami Solo Exhibition Lays Bare the Reproductive Rights Crisis, A Woman’s Thing, October 2022.

Moreno, Sarah, “An art project to donate to Cubans on the island,” El Nuevo Herald, January 2022.

Wood, Falyn, “Six must-see public art installations of Art Basel 2021: Antonia Wright,” TimeOut, 2021.

Yerebakan, Osman, “Art Spills Outside Booths and Taps Into Politics,” UNTITLED, ART, December 8, 2019.

“When Flying the Flag causes Consternation,” The Art Newspaper, December 4, 2019.

Sanfillippo, Amanda, ‘Creative Times Summit will explore art’s ability to transform our world.’ Miami Herald,

November 1, 2018.

Morrissey, Siobhan. “This Artwork Will Make You Feel out of Control. That’s the Idea.” Miami Herald, December 4, 2017

Morgenstern, Hans. “Antonia Wright’s Control is so Intense, Waivers have to be signed.” Miami New Times, Dec 4, 2017

Cohen, Alina. Your Must-See Art Guide to Art Basel Miami Beach “Beware flying barricades at Little Haiti’s Spinello

Projects, where local artist Antonia Wright meditates on protest and provocation”.  The Observer, Nov. 29, 2017

Best of Miami, “Best Artist: Antonia Wright,” Miami New Times, 2017.

“US-Born Cuban- 6 Artists to Watch: Antonia Wright,” Cuban Art News, August 8, 2017.

Mizota, Sharon. “Antonia Wright pulls a disappearing act at Luis De Jesus,” Los Angeles Times, February, 1, 2017.

Mcdermon, Daniel. “Re-enacting a Childhood Trauma on Video. For Art.” The New York Times, September 17, 2016.

Carney, Sean J. Patrick. “First Look.” Art in America, September 2016.

Martin, Lydia. “Multimedia Master Antonia Wright and the Art of Risk,” The Miami Herald, September 17, 2016.

Tosone, Austen. “Artist Antonia Wright on Reclaiming Memory Through Art,” NYLON. September 8, 2016.

Goyanes, Rob. “Poem: Videos at the Screening Room,” Temporary Art Review, July 24, 2015.

Ryzik, Melena. “Art is a Splash, Grand and Tiny, in Miami.” The New York Times, 05 December, 5, 2014.

Patel, Alpesh Kantilal, “Critics’ Picks for Antonia Wright’s You Make Me Sick: I Love You,” ARTFORUM June 2014

Granger, Bryan.  “Antonia Wright’s You Make Me Sick: I Love You,” DailyServing, April 9, 2015.

Peters, Kate. “The State of the Book: Antonia Wright and Ruben Millares,” The Miami Rail. Fall 2013.

Gottlieb, Shirlie. “Editorial Features: Antonia Wright,” Visual Art Source, June 2012.

Brillson, Leila. “10 Rising Miami Artists to Start Collecting Now,” Refinary29, April 2012.

Yu, Betty. “Using Art To Heal at Lotus House,” 6 NBC Miami, April 2012, television.

Moskovitz, Diana. “Standing on the sun: Artist profiles homeless women of Miami’s Lotus House,” Miami Herald, Visual Arts, April 2012.

Rosenblum, Emma. “The New Talent Show: Pot-luck Culture,” New York Magazine, January, 2009.